{"id":647,"date":"2024-01-04T18:56:52","date_gmt":"2024-01-04T17:56:52","guid":{"rendered":"https:\/\/artinthedigitalage.net\/blog\/?p=647"},"modified":"2024-01-04T18:58:49","modified_gmt":"2024-01-04T17:58:49","slug":"en-dinfinies-variations","status":"publish","type":"post","link":"https:\/\/artinthedigitalage.net\/blog\/2024\/01\/04\/en-dinfinies-variations\/","title":{"rendered":"En d\u2019infinies variations"},"content":{"rendered":"\n<p><strong>L\u2019exposition <em>En d\u2019infinies variations<\/em> du <a href=\"https:\/\/canada-culture.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Centre Culturel Canadien<\/a> qui s\u2019inscrit dans le programme de la <a href=\"https:\/\/www.biennalenemo.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale N\u00e9mo<\/a> est \u00e0 envisager tel un atelier o\u00f9 les \u0153uvres sont en train de se faire.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"422\" src=\"https:\/\/artinthedigitalage.net\/blog\/wp-content\/uploads\/2024\/01\/240104.jpg\" alt=\"\" class=\"wp-image-648\" srcset=\"https:\/\/artinthedigitalage.net\/blog\/wp-content\/uploads\/2024\/01\/240104.jpg 750w, https:\/\/artinthedigitalage.net\/blog\/wp-content\/uploads\/2024\/01\/240104-300x169.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">Centre Culturel Canadien, En d\u2019infinies variations, 2023-24.<\/figcaption><\/figure>\n\n\n\n<p>Les tissages contr\u00f4l\u00e9s num\u00e9riquement d\u2019<a href=\"https:\/\/www.olisorenson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Oli Sorenson<\/a> renvoient aux premiers syst\u00e8mes m\u00e9caniques programmables des pr\u00e9mices d\u2019une r\u00e9volution industrielle qui correspond au d\u00e9but de l\u2019anthropoc\u00e8ne. Une \u00e9poque g\u00e9ologique que <a href=\"https:\/\/nicolassassoon.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Sassoon<\/a> documente en occultant des roches que la Terre a expuls\u00e9es. La question du m\u00e9dium est au centre des probl\u00e9matiques abord\u00e9es par l\u2019exposition <em>En d\u2019infinies variations<\/em>. C\u2019est ainsi que <a href=\"https:\/\/www.mat.ucsb.edu\/legrady\/\" target=\"_blank\" rel=\"noreferrer noopener\">Georges Legrady<\/a> programme ses assemblages de photographies quand les reflets des peintures-\u00e9mail de <a href=\"https:\/\/salomechatriot.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Salom\u00e9 Chatriot<\/a> nous apparaissent \u00eatre celles d\u2019applications et que ces mod\u00e8les en trois dimensions sont assujettis aux donn\u00e9es de ses respirations performatives. On ne sait plus exactement, en effet, ce que l\u2019on observe si ce n\u2019est que nous identifions instantan\u00e9ment les masques aux diverses g\u00e9om\u00e9tries de <a href=\"https:\/\/carolinemonnet.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Caroline Monnet<\/a> et <a href=\"https:\/\/chunhuacatherinedong.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Chun Hua Catherine Dong<\/a>. Alors que l\u2019usage de tels apparats est si fr\u00e9quent \u00e0 l\u2019\u00e8re de nos identit\u00e9s multiples et que toutes et tous nous sommes les artistes de nos variations en ligne. On remarque aussi qu\u2019au fil des si\u00e8cles le lieu de l\u2019\u00e9mergence de l\u2019art a \u00e9volu\u00e9, allant de l\u2019atelier \u00e0 l\u2019interface, l\u2019un n\u2019\u00e9tant pas incompatible avec l\u2019autre. Et <a href=\"https:\/\/www.blouin-division.com\/fr\/artists\/nicolas-baier\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Baier<\/a> de le d\u00e9montrer avec ses cr\u00e9ations allant de la sculpture aux images fixes ou en mouvement. Le fait que des artistes aux pratiques g\u00e9n\u00e9ratives, comme <a href=\"https:\/\/timothythomasson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Timothy Thomasson<\/a>, usent aussi de services num\u00e9riques familiers nous rend plus proches encore de leurs cr\u00e9ations. Et que dire de cette sensation d\u2019entrer dans l\u2019\u0153uvre comme c\u2019est le cas avec l\u2019installation interactive de <a href=\"http:\/\/www.interface.ufg.ac.at\/christa-laurent\/\" target=\"_blank\" rel=\"noreferrer noopener\">Christa Sommerer &amp; Laurent Mignonneau<\/a>&nbsp;? Quand, faut-il le rappeler, c\u2019est le public qui valide les \u0153uvres, tant par ses commentaires que ses sensations, entre autres participations.<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\">Commissaires de l\u2019exposition <em>En d\u2019infinies variations<\/em> : Dominique Moulon et Alain Thibault en collaboration avec Catherine B\u00e9dard pour le Centre Culturel Canadien \u00e0 Paris, jusqu\u2019au 19 avril 2024.<\/pre>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019exposition En d\u2019infinies variations du Centre Culturel Canadien qui s\u2019inscrit dans le programme de la Biennale N\u00e9mo est \u00e0 envisager tel un atelier o\u00f9 les \u0153uvres sont en train de se faire. Les tissages contr\u00f4l\u00e9s num\u00e9riquement d\u2019Oli Sorenson renvoient aux premiers syst\u00e8mes m\u00e9caniques programmables des pr\u00e9mices d\u2019une r\u00e9volution industrielle qui correspond au d\u00e9but de l\u2019anthropoc\u00e8ne. &hellip; <a href=\"https:\/\/artinthedigitalage.net\/blog\/2024\/01\/04\/en-dinfinies-variations\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">En d\u2019infinies variations<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-647","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/posts\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":2,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/posts\/647\/revisions"}],"predecessor-version":[{"id":650,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/posts\/647\/revisions\/650"}],"wp:attachment":[{"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/media?parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/categories?post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artinthedigitalage.net\/blog\/wp-json\/wp\/v2\/tags?post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}